New from the Pipeline

• Avid Customer Assoc Opens Registration for Avid Connect 2020
• Rotor Studios Chooses Digistor and Dell EMC Isilon Storage
• Red Giant Complete
• Perceptually Matching Displays
• Boris FX Continuum 2020
• Dalet AmberFin with Dolby Vision and Socionext Acceleration
• India’s Remesh CP Grades Kumbalangi Nights with DaVinci Resolve
• The End of the F***ing World Graded in DaVinci Resolve
• Meet the Colourist – Andy Elliott at Directors Cut Films
• Adobe Announces Next Generation of Creative Cloud
• Deluxe Receives Court Approval to Complete Comprehensive Refinancing
• Animal Logic Backs Up with Alibaba Cloud
• Chimney Uses DaVinci for Collaboration on ‘The Dead Don’t Die’
• Meet the Colourist – Clinton Homuth, Senior Colourist, Artjail, Toronto
• Pond5 Launches Marquee Premium Content for Creative Agencies
• London’s Fifty Fifty Adds Second Baselight Grading Suite
• Rob Legato Uses Blackmagic to Create Virtual Production for “The Lion King”
• SIGGRAPH Asia 2019’s Computer Animation Festival Celebrates CGI for Storytelling