Panavision Unveils New Tools for Millennium DXL 8K Camera
Panavision revealed new tools for its large-format Millennium DXL 8K camera at its booth at Cine Gear Expo. Demonstrating the evolution of its approach to filmmaking, Panavision debuted a set of fast, wirelessly controlled Primo Artiste lenses that cover the full 8K HDR image, the world’s first HDR OLED Primo Viewfinder, a new colour spectrum filter called PX-Pro, and DXL Control, and an iPhone app for remote camera control. These new technologies support Panavision’s Millennium DXL, which was engineered to offer creative control over the entire imaging chain.
“The DXL was designed based on feedback from veteran filmmakers who wanted a large format digital system to serve their vision, and these new tools extend that level of innovation,” noteed Panavision CEO, Kim Snyder. “We are excited that the camera has been met with great enthusiasm for what it offers in terms of creative flexibility and progressive technology at the service of the artist.”
Featuring Panavision’s premier large format optics and modular accessories, advanced 8K sensor technology from RED, and colour science and workflow optimisation from Light Iron, the Millennium DXL has been the camera of choice for numerous productions since becoming available in January. “Filmmakers have chosen the camera to shoot major motion pictures, commercials and TV shows,” said Panavision and Light Iron Senior Vice President of Innovation, Michael Cioni. “We’ve been listening to filmmakers and developing top-notch capabilities for the camera, as well as fine-tuning what’s next for its ecosystem. These savvy tools continue our solution-focused efforts to deliver the best in class.”
The Primo Viewfinder is the industry’s first HDR OLED viewfinder. Designed, engineered and manufactured at Panavision, the Primo Viewfinder offers Panavision optics and proprietary mechanics, an HDR OLED screen, 600-nit brightness, image smoothing, a heater, and custom Panavision glass to limit eye fatigue and make it easier to focus in very bright or dark environments. The viewfinder also offers a theoretical contrast ratio of 1,000,000:1. In creating the Primo Viewfinder, Panavision has made use of customer feedback. “We have been extremely transparent with our trusted customers and shown them iterations along the way,” explained Cioni. “Their fingerprints go into this camera, because it’s their hands that touch the buttons.”
Panavision showcased a prototype of its PX-Pro colour spectrum filter, which ushers in a significant increase in colour separation and higher colour precision. The filters provide an infrared (IR) and ultraviolet (UV) cut that improves colour clarity and reduces noise and IR contamination, which can corrupt or distort digitally captured images. “PX-Pro was custom made for DXL,” said Haluki Sadahiro, Director of Panavision Electronics and Product Development. “It has been specially designed to allow for a wider range of precise colour that supports all colour palettes and flare characterises of lenses new and old, while reducing many of the optical artefacts we see on digital cinema cameras.”
The Primo Artiste lenses, available by the end of 2017, are a full series of T/1.8 Prime lenses, making them the fastest optics available for large format cinematography. The Artiste Series is an evolutionary step in large format optics design, becoming the second series of Panavision lenses to include a fully internalised motor and complete metadata compatibility. The essence of the Artiste concept is a design that takes advantage of the aesthetic flexibility available within large format digital imagers, and the resulting look evokes a quality reminiscent of vintage optics. The series incorporates modern features such as focus breathing control, even field illumination and optimised close focus performance.
“The primary goal of the Primo Artiste line is to balance the intricacies of aberration control and the art of lens design to create a lens that produces images that resonate with our instinct to relate to painterly images that are identified by smooth transitions between surrounding objects,” said Panavision VP Optical Engineer and Lens Strategy, Dan Sasaki. An added feature of the Primo Artiste series is a true anamorphic glass attachment that retains the spherical nature of the base lens yet induces many of the artefacts associated with anamorphic photography such as directional flares and distorted bokeh. The Artiste lenses will initially come in eleven focal lengths (27mm, 35mm, 40mm, 50mm, 65mm, 80mm, 100mm, 125mm, 150mm, 200mm, and 250mm) with expanded focal lengths available in 2018
New DXL Control software mirrors the camera menu system on the user’s Apple device, allowing wireless camera control. “It’s got all the familiar buttons and displays,” said Cioni, who notes the software is available now with a DXL camera rental, and will be available to download for free from the iTunes store starting inJune.
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